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Selznick International Pictures : ウィキペディア英語版
Selznick International Pictures
Selznick International Pictures was a Hollywood motion picture studio.
==Origin==

It was founded in 1935 by producer David O. Selznick and investor John Hay "Jock" Whitney after Selznick left Metro-Goldwyn-Mayer and leased a section of the RKO Pictures lot in Culver City, California. The studio itself had been built in 1918-1919 by film pioneer Thomas Ince. When Ince died in 1924 the studio was taken over by Cecil B. DeMille. Eventually Pathe took over and then in the 1930s it became part of RKO. In 1957 it would become part of Lucille Ball and Desi Arnaz's company, Desilu.
Selznick leased offices at the studio during the first year or so and at the beginning of 1937 Selznick International Pictures took over the entire lot. The SIP name went up over the entrance of the historic Southern Plantation style administration building and that view of the front of the building became the iconic studio logo seen at the beginning of SIP films. Even though the studio reverted to RKO in the 1940s, Selznick kept offices there for the rest of his life.
Selznick raised the initial funding of US$400,000 in Los Angeles, with half of that amount coming from his brother Myron Selznick, a Hollywood agent, and the other half from MGM production chief Irving Thalberg and his wife actress Norma Shearer.〔''Memo'', p. 103.〕 He raised an additional $300,000 from "small" investors in New York, and then the final $2.4 million from Jock Whitney and his family. Whitney himself became chairman of the board, and Selznick president, of the new company.
Because Whitney and his cousin Cornelius Vanderbilt Whitney also owned Pioneer Pictures, an independent studio they formed in 1933 on facilities rented at the RKO studios, Pioneer was informally merged with Selznick International Pictures in 1936. Selznick International assumed Pioneer's contract to make at least six pictures in the new full-color Technicolor process, of which the Whitneys owned a 15 percent share.〔Because of its length, ''Gone with the Wind'' was considered two Technicolor pictures for the purpose of the contract.〕

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